The Quay Brothers were born in 1947 near Philadelphia where they studied at the Philadelphia College of Art, then later in London at the Royal College of Art. In 1980 they formed Koninck with colleague Keith Griffiths and since then have produced a hybrid collection of film work: puppet animation, documentaries, interludes, commercials, and installations. They have also designed decors for the Theatre, Opera and Ballet {including filming 3 ballets}, as well as directing three live-action feature films. Many of their films have been inspired by the writings of authors including: Bruno Schulz, Franz Kafka, Robert Walser, Stanisław Lem, & Felisberto Hernández. Music is key to their work and composers include: Karlheinz Stockhausen {In Absentia}, Krzysztof Penderecki {Maska, Inventorium of Traces}, Bartók {Sonata for Solo Violin}, Witold Lutosławski {String Quartet Nr. 4}, Olga Neuwirth {The Calligrapher}, Zdeněk Liška{The Cabinet of Jan Švankmajer, The Phantom Museum}, Louis Andriessen {Theatre of the World}, Timothy Nelson {Through the Weeping Glass, Unmistaken Hands, &
Sanatorium Under the Sign of the Hourglass}, Michèle Bokanowski {The Doll’s Breath} and Alfred Schnittke {Sanatorium Under the Sign of the Hourglass}. In 2012 the QQs were the subject of a grand retrospective exhibition at MoMA, New York entitled Quay Brothers: On Deciphering the Pharmacist’s Prescription for Lip-Reading Puppets, which featured work spanning their entire career, tracing back as early as childhood, with much of the material shown for the first time.
SELECTED DIRECTORS FILMOGRAPHY
2019 The Doll’s Breath
2014 Unmistaken Hands: Ex Voto F.H.
2012 Metamorphosis
2011 Through the Weeping Glass
2010 Maska
2008 Inventorium of Traces
2007 Eurydice, She so Beloved
2004 The Piano Tuner of Earthquakes
2003 Songs for Dead Children
2002 The Phantom Museum
1994 Institute Benjamenta
1991 The Comb
1987 Rehearsals for Extinct Anatomies
1986 Street of Crocodiles
1985 This Unnameable Little Broom