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Crimson Gold

Crimson Gold

A film by Jafar Panahi

Two master filmmakers, Abba Kiarostami (A Taste of Cherry) and Jafar Panahi (The Circle, Taxi) team up as writer and director, respectively, on Crimson Gold, a subtle tragedy on class conflict in modern Iran.

Hussein (Hossain Emadeddin, a real-life pizza delivery man who has schizophrenia) is a lumbering war veteran swollen by cortisone (for war-induced pain) and reduced to delivering pizzas at night. Through his nightly rounds, he bears witness to the rewards and vanities of the city’s wealthy. He is humiliated when a jewelry shop owner won’t allow him in his store, and under pressure to get married, Hussein awkwardly aspires to higher ground. When an eccentric socialite gives him a taste of luxury, Hussein can no longer accept his lowly status.

Kiarostami based the story on an actual newspaper account of a botched robbery attempt at a Tehranian jewelry store by a desperate pizza deliveryman.  

Home Media


Digital

Reminds us of Robert de Niro’s “Travis Bickle” in Taxi Driver.

- THE OBSERVER

A most unusual breed of crime thriller.

- The Guardian

Haunting...Charged with an enigmatic sense of danger and uncertainty.

- New York Times

One of the best films of the year! Something entirely unexpected vividly recalls Hollywood film noir.

- Los Angeles Times

A flawlessly executed character study.

- Hollywood Reporter

Play Dates
TicketTheater/FestivalCityStateDateVirtual / In theater
BUY TICKETSLaemmle TheatreLos AngelesCA6/25/21Virtual
BUY TICKETSFilm at Lincoln CenterNew York NY6/25/21Virtual
Coral Gables Art CinemaCoral GablesFL6/25/21Virtual
Gene Siskel Film CenterChicagoIL6/25/21Virtual
Music Box FilmsChicagoIL7/2/21Virtual
Nightlight CinemaAkronOH6/25/21Virtual
VTIFFBurlingtonVT6/25/21Virtual
Webster Film SeriesSt. LouisMO6/25/21Virtual
Jacob Burns Film CenterPleasantvilleNY6/25/21Virtual
Lightbox Film CenterPhiladelphiaPA6/25/21Virtual
Montclair Film MontclairNJ6/25/21Virtual
About the Director

Jafar Panahi was born in 1960 in Mianeh, Iran. He studied directing at the College of Cinema and Television in Tehran. Before embarking on feature films, he directed several short and medium-length films for Iranian television.

After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d’Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.

Panahi was quickly recognized as one of Iran’s most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006).[2] His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, “Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told.”[3]

After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi’s subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival.[5] In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.[6]

 

Filmography:

The White Balloon (1995)

The Mirror (1997)

The Circle (2000)

Crimson Gold (2003)

Offside (2006)

This is Not a Film (2011)

Closed Curtain (2013)

Taxi (2015)

Three Faces (2018)

Cast and Crew

CREW

Producer: Jafar Panahi

Director: Jafar Panahi

Writer: Abbas Kiarostami

Cinematography: Hossein Jafarian

Editor: Jafar Panahi

Film Info

Year: 2003

Country: Iran

Runtime: 95 min

Color: Color

Language: Persian

Subtitles: English

Aspect Ratio: 1.66 : 1

Sound: Mono

Awards and Festivals

Cannes Film Festival _ Un Certain Regard Jury Prize

Moscow Film Festival

Melbourne International Film Festival

Toronto International Film Festival

Chicago International Film Festival

New York Film Festival

International Film Festival Rotterdam

Thessaloniki International Film Festival

Hong Kong International Film Festival

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