By The Time It Gets Dark (DAO KHANONG)

A film by Anocha Suwichakornpong

Narrative

A young female film director researching the real-life 1976 massacre of Thai students in Bangkok discovers the difficulty of forging art from the frailties of memory and history.

 

Year: 2016

Country: Thailand / France / Netherlands / Qatar

Runtime: 105 min

Color: Color

Language: Thai

Subtitles: English

 

PRICE

DVD with PPR: $180

DVD + DSL with PPR: $280

 

Description

The delicately poetic second feature by Thai director Anocha Suwichakornpong weaves together multiple stories and characters to create a portrait of a beautiful country haunted by the lingering trauma of the 1976 government-sanctioned massacre of student demonstrators in Bangkok.

A shape-shifting narrative around memory, politics and cinema, the film weaves together the stories of several characters. We meet a young waitress serving breakfast at an idyllic country café, only to later find her employed in the busy dining room of a river cruise ship. And we meet a filmmaker interviewing an older woman whose life was transformed by the political activism of her student years and the Thammasat University massacre of 1976. With her tender, unobtrusive filmmaking style, Suwichakornpong allows us to get to know these characters slowly and deeply. At the same time, we see how their beautiful country and its troubled history inform their actions and identities in ways both overt and subtle.

 

Reviews

“This film marks only Suwichakornpong’s second feature, but it already suggests a heady iconoclast snooping out profound points of exchange between the possibilities of narration through images and the politics of memory.” —Film Comment

“Suwichakornpong subtly uses fragmented images, identity slippage and ellipsis to dig for the core of contemporary Thai experience and ask profound questions about how memory, politics and cinema intersect. “—Sight & Sound
“The extradiegetic digital freak-out at film’s end foregrounds the constructedness of all images, but what’s still more remarkable is Suwichakornpong’s willingness to abdicate a certain kind of logic and directorial control in favor of a strangely intuitive, even random rethinking of narrative and historiography, taking up and discarding concepts and plot threads for which, even for the filmmaker, there may be no clear explanation.”—Artforum

Festivals 

New Directors New Films, New York

Locarno Film Festival

Toronto International Film Festival

Busan International Film Festival

London Film Festival

Vienna International Film Festival

Taipei Golden Horse Film Festival

 

 

 

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